There is no________

The Southeast Asian migrant workers have shaped Taiwan’s multifaceted and diverse culture. Brought improvement to the aging society and labor-intensive industries in Taiwan. The 'coconut seed' symbolized the persevering spirit and an ideal in their mind, reflecting their life motto as migrant workers abroad. Working Hard builds a fake flower bed in the exhibition as a scenery near the street. The radio program of the sound installation has collaborated with Taiwanese new immigrants/Indonesian Nana [The Radio Program Anchor of The Fishery Radio Station, Kaohsiung]. She tells the meaning of the Indonesian coconut proverb in Taiwanese. Intends to give audiences a sense of identity in Indonesian culture. But both Indonesian and Taiwanese languages were re-mixed with her speaking. Through the radio program, the artist reproduces the process of the anchor's identity of herself changing in between. While the different social groups of people/audiences sit, the role of 'the people who are absent' is replaced and exchanged. Intended to remind people of those forgotten city landscapes, as a question: 'Who is the outsider of this landscape?'