宛若一處存儲的地窖暗室中， 藉「檔案化」的手法，以透明塑料大量地膜塑而成的紀念性頭像，層層排列成整齊的檔案廊道。迷茫光線下， 這些透薄的塑像不僅五官難辨， 更實體幻化、模糊失真。完封整理的檔案、看似穩當的記憶倉儲，卻失去了辨識的線索、喪失提取資訊的可能， 而形同記憶的真空、認知的黑洞。這個以「紀念堂」為名的空間，不僅指向歷史的迷離與曖昧，也喻示了與實體世界既即又離， 縱使撥開也不見肉身的種種膜層世界。

 

 

In a dark space which seems like a dungeon for storage,memorial heads of mass reproduction of a transparent plastic are, in a way of setting up a filing system, arranged, row by row, into the hallways of files. In a dim light,these thin permeable sculptures are not only blurry faced, but also illusory and fuzzy. Well-organized and sealed, those files seem like secure data warehouses, but lose clues for recognition as well as possibilities to extract information, which is a memory void; a black hole of recognition.This space, in the name of Memorial Hall, not only refers to the riddles and ambiguities of history, but implies a variety of a world of plastic wrapping which seems close to but far away from the physical reality, where you peel off layer after layer to find nothing in it.

 

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